John Green Reads Poetry

So many poems to listen to!

Hey, there’s a missing poem!

Hi! This website is an ongoing labor of love inspired by John’s self-proclaimed love of poetry ¹ and the mission of Ours Poetica

We’re working very hard combing through the vast amounts of online content John and Hank have created ³ — and continue to create! — to find every instance of John reading poetry.⁴ Most of these were short poems that used to appear as an opening segment in the Dear Hank & John pod.⁵

Check out our growing list of missing or lost poetry-related John Green media:

We have a long way to go, and are using the posts’ dates as a way to organize everything chronologically with relevant tags to make everything extra useable!

So if you have a suggestion of something we missed or would like to share a piece of poetry-related media you’ve found…

  1. This is also a recurring riff in many of the opening segments of Dear Hank & John
  2. A lovely play on the Latin phrase Ars Poetica (“The Art of Poetry”)
  3. Examples: 1 | 2
  4. And, occasionally, someone else, such as his wife, his brother, or a poem inspired by one of Hank’s rants. Admittedly, some things are qualified as ‘poems’ rather loosely — John has read lyrics, and other nontraditional items as poetry, and that’s a wonderful thing!
    Because poetry is, always, what we make it.
  5. And are still missed by Nerdfighters everywhere!

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Dear Hank & John

Or as he likes to call it: “Dear John & Hank”

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A.k.a. “My mistress’ eyes are nothing like the sun”

John’s related banter…

And lastly, let’s take a brief look at sonnet 130. One of the one’s addressed to the dark lady. This sonnet is almost a parody, a send up of Petrarch’s sonnets about the lovely Laura, whom he barely knew. That weird renaissance worship of the person you met just one time twenty years ago, and the constant exploration of every facet of their beauty, their mouth, their eyes, their cheeks, their hair—it gets a little overwhelming.

In sonnet 130 Shakespeare simultaneously does that and refuses to do that. Like if he suggested that a summer’s day wasn’t a good enough descriptor of his beloved, now he’s suggesting that if you compare his mistress to any of the typical stuff: suns roses, rose perfume, she’s going to fall very short. Her breasts are the color of dun, her hair is like black wires, sometimes her breath smells. This strange descriptive aggression characterizes many of the late sonnets, where the poet seems to feel ashamed about being attracted to this women.

But again, there’s a twist at the end as there is with every good sonnet’s final couplet. “Any yet by heaven I think my love as rare/ as any she belied by false compare.” Shakespeare isn’t saying look my mistress has onion breath. Instead the speaker is saying “All of you other poets have been exaggerating like crazy, including past me. If you were actually going to describe people realistically, his lover would be as beautiful as any other. So take that Coral and perfume and summer days.”

And for me at least, that humanization of the romantic other is, more romantic and ultimately more loving than any summer’s day. Plus she’s going to get to live forever, well, not actually, because we’re all gonna die. Even the species is going to cease to exist.

crashcourse | Shakespeare’s Sonnets (Crash Course Literature 304)

(Unquoted beginning)

My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then

her breasts are dun;

(Unquoted remainder)

If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.

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