John Green Reads Poetry

So many poems to listen to!

Hey, there’s a missing poem!

Hi! This website is an ongoing labor of love inspired by John’s self-proclaimed love of poetry ¹ and the mission of Ours Poetica

We’re working very hard combing through the vast amounts of online content John and Hank have created ³ — and continue to create! — to find every instance of John reading poetry.⁴ Most of these were short poems that used to appear as an opening segment in the Dear Hank & John pod.⁵

Check out our growing list of missing or lost poetry-related John Green media:

We have a long way to go, and are using the posts’ dates as a way to organize everything chronologically with relevant tags to make everything extra useable!

So if you have a suggestion of something we missed or would like to share a piece of poetry-related media you’ve found…

  1. This is also a recurring riff in many of the opening segments of Dear Hank & John
  2. A lovely play on the Latin phrase Ars Poetica (“The Art of Poetry”)
  3. Examples: 1 | 2
  4. And, occasionally, someone else, such as his wife, his brother, or a poem inspired by one of Hank’s rants. Admittedly, some things are qualified as ‘poems’ rather loosely — John has read lyrics, and other nontraditional items as poetry, and that’s a wonderful thing!
    Because poetry is, always, what we make it.
  5. And are still missed by Nerdfighters everywhere!

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Dear Hank & John

Or as he likes to call it: “Dear John & Hank”

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Didn’t I hear John read this poem elsewhere?

Yes! Good memory:

The brothers’ related banter…

H: Do you have a short poem for us?

J: I do, it’s called “Poetry”, it’s a special poem just for you, Hank, by Marianne Moore. Again, the title is “Poetry”. You must bear in mind the title, “Poetry,” as I read you the poem.

(Reads poem)

Poetry, by Marianne Moore. Published in The Complete Poems of Marianne Moore, published in 1967.

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Dear Hank & John | Ep. 024

I, too, dislike it.
Reading it, however, with a perfect contempt for it, one discovers in
it, after all, a place for the genuine.

(The unquoted remainder of the poem)

         Hands that can grasp, eyes
         that can dilate, hair that can rise
             if it must, these things are important not because a

high-sounding interpretation can be put upon them but because
         they are
     useful; when they become so derivative as to become
         unintelligible, the
     same thing may be said for all of us—that we
         do not admire what
         we cannot understand. The bat,
             holding on upside down or in quest of something to

eat, elephants pushing, a wild horse taking a roll, a tireless
         wolf under
     a tree, the immovable critic twinkling his skin like a horse
         that feels a flea, the base-
     ball fan, the statistician—case after case
         could be cited did
         one wish it; nor is it valid
             to discriminate against “business documents and

school-books”; all these phenomena are important. One must
         make a distinction
     however: when dragged into prominence by half poets,
         the result is not poetry,
     nor till the autocrats among us can be
         “literalists of
         the imagination”—above
             insolence and triviality and can present

for inspection, imaginary gardens with real toads in them,
         shall we have
     it. In the meantime, if you demand on the one hand, in defiance
         of their opinion—
     the raw material of poetry in
         all its rawness, and
         that which is on the other hand,
             genuine, then you are interested in poetry.

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